I had a PT-30 when i was a brat.. Monophonic, boom-chik-a-boom portable crapmaster from the 80's.. See it's manual here and read the excellent story here It was pretty shite now i think about it - monophonic, and thos nasty party rhythms and autochords. But, it DID take a dump and come out with UNIQUE noises if You giggled the batteries in & out.. Oh man.. YES it did. Haven't managed to make this one do that yet sadly..
I decided to Bend it. Well, i decided to mod it for trigger input (see my VL-1 post) and one thing led to another.. I didn't tap into the cpu, i scratched into the tracks coming from the button contacts instead, cos it looked less likely to fail, but same principal as the VL-1 tap - get an external trigger to close the contacts on the OKP button..
See firstly my main jpg for what i think i found on the board, plus a closeup of the CPU on the far side of the board hiding behind the display - cos i know You will be Curious if You have read this far.. one side of the cpu is for noises and triggers, mostly leading to the ribbon cable to the componant board, one side drives the display, and one scans the keyboards and buttons , while the last side seems to be for the Tape interface and extra memory.. Also: what i found on the ribbon cable that connects the 2 main boards that is fun to bend with.. This ribbon cable is badly attached usually, and breaks easily.. so be prepared to rescue this.. did i mention the display is not to be jerked about? well it isn't. So if you are doing the s-trig input, make it quick, tap into one of the ONE KEY PLAY buttons and gtfo. I have driven the memory play with an external LFO perfectly, it's capable of clocking to quite a high rate too, and very tightly.. so, clocking the main voice is Go.
I loaded the space meant for the useless tape interface with switches, a mini pot for input dampening to the s-trigger board, and a minijack in for the s-trig on the edge and corner to the right. Then put 2 pots either side of the speaker (after some grinding on the plastic with the dremel).. was going to lose the speaker, and fill the space with stuff to play with, but had a change of heart.. glad i left it in, now it's fully 'fireside' compatible for my next jam session in the woods at night.. er..
There are some really easy bends to be had on the percussion noises.. adding in caps, shorting caps out etc. the transistor noise can be made well swishy, and the filtering is easy to open up or 'punch' using triggers meant for something else in the rhythm.. Shades of the soundmaster SD88 here, you'll like it.. except, the kick is shite.. But, a bend makes the kick distort, which is nice. I of COARSE popped some of the transistors trying to make them squeal, the usual C1815 trannys are all over this machine, so no bother there.. Bound to happen sooner or later..
There are some other bends in there too - i have only pointed a good places you are sure to get things that make you smile and won't kill the machine.. have a look at the other 2 jpgs - they show the wire job when it was finished.. you can see i added some power-seeping taps not marked in the first jpg. - down in the bottom right corner. They do the usual howling crap in 2 stages - they go to a pot via a 3 way switch, 2 extremes and a not-connected.. depending on power source, these sound radically badass, especially when you drop the tuning to grind levels - it's best done only if you intend not using an external power source, so batteries only for that one i think.
I decided to Bend it. Well, i decided to mod it for trigger input (see my VL-1 post) and one thing led to another.. I didn't tap into the cpu, i scratched into the tracks coming from the button contacts instead, cos it looked less likely to fail, but same principal as the VL-1 tap - get an external trigger to close the contacts on the OKP button..
See firstly my main jpg for what i think i found on the board, plus a closeup of the CPU on the far side of the board hiding behind the display - cos i know You will be Curious if You have read this far.. one side of the cpu is for noises and triggers, mostly leading to the ribbon cable to the componant board, one side drives the display, and one scans the keyboards and buttons , while the last side seems to be for the Tape interface and extra memory.. Also: what i found on the ribbon cable that connects the 2 main boards that is fun to bend with.. This ribbon cable is badly attached usually, and breaks easily.. so be prepared to rescue this.. did i mention the display is not to be jerked about? well it isn't. So if you are doing the s-trig input, make it quick, tap into one of the ONE KEY PLAY buttons and gtfo. I have driven the memory play with an external LFO perfectly, it's capable of clocking to quite a high rate too, and very tightly.. so, clocking the main voice is Go.
I loaded the space meant for the useless tape interface with switches, a mini pot for input dampening to the s-trigger board, and a minijack in for the s-trig on the edge and corner to the right. Then put 2 pots either side of the speaker (after some grinding on the plastic with the dremel).. was going to lose the speaker, and fill the space with stuff to play with, but had a change of heart.. glad i left it in, now it's fully 'fireside' compatible for my next jam session in the woods at night.. er..
There are some really easy bends to be had on the percussion noises.. adding in caps, shorting caps out etc. the transistor noise can be made well swishy, and the filtering is easy to open up or 'punch' using triggers meant for something else in the rhythm.. Shades of the soundmaster SD88 here, you'll like it.. except, the kick is shite.. But, a bend makes the kick distort, which is nice. I of COARSE popped some of the transistors trying to make them squeal, the usual C1815 trannys are all over this machine, so no bother there.. Bound to happen sooner or later..
There are some other bends in there too - i have only pointed a good places you are sure to get things that make you smile and won't kill the machine.. have a look at the other 2 jpgs - they show the wire job when it was finished.. you can see i added some power-seeping taps not marked in the first jpg. - down in the bottom right corner. They do the usual howling crap in 2 stages - they go to a pot via a 3 way switch, 2 extremes and a not-connected.. depending on power source, these sound radically badass, especially when you drop the tuning to grind levels - it's best done only if you intend not using an external power source, so batteries only for that one i think.
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