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inferno @ ten, MISSTRESS BARBARA/FILTERHEADZ/TONY THOMAS

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  • inferno @ ten, MISSTRESS BARBARA/FILTERHEADZ/TONY THOMAS



    INFERNO summer sessions
    @ TEN
    waterford

    saturday july 1st 2006

    MISSTRESS BARBARA 'COME WITH ME' ALBUM WORLD TOUR

    MISSTRESS BARBARA
    http://www.iturnem.com/misstressbarbara.htm


    MISSTRESS BARBARA BIO & ALBUM INFO:


    COME WITH ME
    1- SEBO K - TOO HOT
    2- LORNA - FEEL GOOD
    3- ANDREA BERTOLINI - MY WAV (Club Mix)
    4- TRENTEMOLLER - BETA BOY
    5- ZDAR - DON’T U WANT
    6- BOYSNOIZE - HE-MAN
    7- MISSTRESS BARBARA - I LOVE YOU
    8- BAD PIMPS - PIMP THE BOX
    9- LEMON 8 - MODEL 8
    10- ARGY - LOVE DOSE (Luciano Remix)
    11- DONNACHA COSTELLO - RUSTY STICKS
    12- MISSTRESS BARBARA - ELEVEN O SEVEN
    13- NATHAN FAKE - DINAMO (Dominik Eulberg Remix)
    14- ALEX UNDER - ADITAH, LA GRANJERITA
    15- MOVE D - ANNE WILL
    16- TRENTEMOLLER - CHAMELEON
    17- OLIVER KOLETZKI - DER MÜCKENSCHWARM (Dominik Eulberg Remix)



    Born under the Sagittarius sign, in Sicily, Italy, 1975, Misstress Barbara (spelled with 4"s" to understand 'miss' and 'stress') moved to Montreal at age 8, where she has lived ever since. She holds a degree in Communication Studies, specialized in Film, and obtained a license to fly gliders and Cessna airplanes at age 16. Her creative involvement with music began when she picked up the drums at age 12 and started playing in bands. For the next seven years she was absorbed by classic rock, by punk music, and all the hard music of the time.

    In 1994 her musical interests shifted to electronic music. While attending numerous events, she literally fell in love with watching DJs work. Amazed by the beauty of the movement of their hands, she wanted to achieve the same talent and make everyone dance, so a year later she traded in her drum kit for two turntables and a mixer. In the spring of 1996, she got her first booking and hasn't looked back since; playing all the major cities from North to South America, Europe and Asia along with Australia. Misstress Barbara has played alongside the most respected artists such as Björk, Thievery Corporation, Front 242, Carl Cox, Richie Hawtin, Masters at Work, ******, Sven Väth and many others. Her various musical tastes have led her to play many important clubs worldwide like Twilo (NYC, USA), Velvet Underground (London, UK), The Womb (Tokyo, Japan), Stereo (Montreal, Canada), Florida 135 (Fraga, Spain), Zouk (Singapore), Rex (Paris, France), Aloca (Sao Paulo, Brazil), just to name a few. She is also a regular at the Godskitchen Events around the UK and in their Birmingham club Air. She has also played many big events like SONAR (Spain), AWAKENINGS (Holland), I LOVE TECHNO (Belgium), MONEGROS (Spain), and one of her highlights from the beginnings of her DJ career was playing at "Fashion Cares" in Toronto; a 5000 people AIDS-Benefit fashion show party, hosted by K.D. Lang and Rupaul.

    When she first began performing she described her main style as "Drummy Funky Pumpin' Techno" and her most important musical influences came from the shuffling of Jazz and from the repetitive grooves of Latin Music. Regardless of the influences, her typical hard beats had always been the driving force in her sets and these elements were immediately recognizable in her productions. Progression is natural in an artist's career and Barbara is no different. These days she is playing a groovy techy, minimal and electro funk filled sound, constantly pushing her own limits to evolve with the music she hears and appreciates. As she puts it, she still has love for the techno sound she became notorious for, but at the same time, wants to play all new wonderful sounds and rhythms from a multitude of different genres. She can be very different from one production and record to another, yet never lose the common threads between shifts in sound or style.

    Barbara began buying studio equipment shortly after the beginning of her DJ career and spent the next twelve months familiarizing herself with the equipment and working on original tracks without really finishing them. The real work started once she finished university and dedicated herself full time to a solid studio work. She created her very popular Techno label RELENTLESS MUSIC in 1999, which name had to be changed in the beginning of 2003 to avoid legal issues with another company holding the same name in the UK. This is when she created ITURNEM, which you can check out at www.iturnem.com.

    Barbara has a weakness for House Music and for that, she created the alias name of Barbara Brown, to produce and play House Music without confusing her fans and the people who buy her Techno tunes. Now when she reflects on this difference in identity, she wishes that instead of creating an alias to play different styles of music to lessen the confusion of her fans, it might have been a better choice to remain always as Misstress Barbara, and just be known for playing good music of all genres. It is a given that she built her career on Techno, but as all people do, she evolved and wanted to open her record box to all genres of fantastic music, stepping outside the techno sound she is branded for.

    As a producer, Barbara has accomplished quite a lot. She has released records on some of the most respected Techno labels on the planet and she also had a few of her tracks licensed for films and videogames. In 2002, her very popular track 'Never Could Have Your Heart' has been licensed for the Play Station 2 videogame 'Midnight Club II', she also has had her track 'Crash and Burn' licensed to the film 'Saved By The Belles' and 'Effett Karma' licensed to Montreal film 'Pure' that is being presented at Cannes. She plans on doing more music for all forms of media and focusing on more cross-over oriented projects in the future, to advance her career as a producer.


    Log on to www.MisstressBarbara.com for more information -


    tech FM.net

  • #2
    ____________________________________
    FILTERHEADZ
    http://www.filterheadz.com/


    FILTERHEADZ BIO:

    In the beginning : Bert and Maarten, kids of the seventies, when vinyl
    was king and 8 track tapes seemed like a good idea. First musical
    steps? Somewhere in the mid-eighties. Bert on guitar, Maarten on drums.
    influences : The Police, U2 and Simple Minds. Those influences still
    stand, nothing wrong with a decent pop tune.
    A decade in learning : from the mid-eighties until the mid-nineties :
    various pop, rock, metal, jazz fusion and r&b projects. nothing really
    successful, but it gives the boys a good foundation in songwriting,
    production techniques and overall musicianship.

    Jazz…? ’96, their interest in jazzfusion, acid jazz and all it’s
    varieties leads them to bands like Incognito and Brand New Heavies.
    They discover the remixes from Roger Sanchez, Masters at Work, and
    David Morales. This gives them a whole new perspective on dance music.
    It shows them there is more to dance music than the eurotrance that
    rules the Belgian airwaves at that moment. The boys start experimenting
    with loops and disco samples and their first US style house tracks see
    the light.

    The Headroom years : ’98 the brothers get in touch with Headroom
    Music, a Belgian record company. Label boss Bart Grinaert sees the
    potential and takes them under his wings. The Headroom gang teaches
    them all they need to know about dance music, the beats, the sound and
    plenty of studio tricks. After a few releases under several names, they
    decide to take on the name “Filterheadz”. The idea is to release some
    more “filterdisco” records. But things turn out slightly different…

    The Casters Files : at the same moment Jo Casters, head of a&r at
    mostiko finds some of their early works on his desk. Jo decides to get
    in touch and have them do a long string of remixes. One track stands
    out. Minimalistix, Struggle for pleasure. “do me something deep dish
    like” is the word. The boys head off to Ibiza to check out the vibe and
    discover the whole Sasha&Digweed thing. On their return they go
    straight to the studio and with the sound of Space Terrace still
    ringing in their ears they start working on a remix that will make one
    of the biggest prog tracks that year. Remixes for Hooj, Platipus,
    Nebula & Deviant follow. They quickly establish their name as “first
    call” remixers. Filterheadz now stands for progressive, but with tough
    beats and a very sharp edge…

    Filterheadz Love Techno : in mean time their techno output on Headroom
    labels Session and Traction starts flowing, collaborations with Zzino &
    Tomaz prove to be damn popular, finding favour with Carl Cox, and
    making it onto a quite a few comps. Intec get in touch and ask for ‘a
    latin techno track’, which ends up being the Ibiza favourite, and all
    round smash record ‘Sunshine’.

    More remixes : Green Velvet ‘LaLa Land’, Bedrock ‘Emerald’, Whatever
    Girl ‘Activator’, Eddie Amador ‘House Music’, Kira “I’ll be your angel”
    and further mixes for ****** and Oliver Lieb, just to name a few.

    Tribalicious : After having the best selling techno record of the year
    Bert and Maarten decide it’s time for another challenge. Tribalicious,
    their debut mix cd on N.E.W.S. is a collection of tribal monsters, tech
    beats, spacious overtones and some downright offbeat stuff. Bert and
    Maarten use their hailed production skills to re-mix, re-work, re-build
    and simply abuse all the tracksto bring what we can only describe as...
    the filterheadz sound!

    Oh what guy! : mid summer 2003, filterheadz boys hook up with Guy
    Ornadel : Nettwerk management. Apart from a dangerously high email
    traffic, a raised telefone bill

    Yimanya : Filterheadz are back with another ibiza summer smash!
    Creating a buzz during the winter music conference in miami and getting
    support from just about anyone you can think of from Tong to Sander to
    Jules to ******
    ______________________________________
    TONY THOMAS
    http://www.tonythomas.co.uk


    TONY THOMAS BIO:

    Tony is now well established in the dance music scene as one of the main purveyors of tribal, tech and electro house music. With well over 200 productions to his name and countless remixes on many major labels, Tony has no intention of slowing down yet.
    He has around 20 releases already scheduled for 2005 including remixes for Steve Porter, DJ Hal and an exclusive remix for FRANCOIS K of his massive club bomb "Mindspeak" to be released by WAVE USA.

    Tony has produced many other remixes over the years including SLAM's 'Alien Radio', RAMIREZ's 'Hablando', WHIPLASH's 'Ghetto Tears' ( Red Moon) , THE GREASERS ' Starfuckers' ( The Producers ) and remixes for Oliver Lieb, Oscar G, 16b and many more. He has DJ'd all round the world at such venues as: ZOUK clubs in KL and Singapore, Amnesia Ibiza, Dancevalley NL, Extrema NL, Chemistry NL, The End London, Fabric London, Fabric Madrid, Shine Belfast, Rex Club Paris, and many many more. He also plays for many radio shows worldwide on a monthly basis.

    Tony now runs 3 labels, one jointly with tribal partner MASTIK SOUL known as MOXI records, plus his long standing NEW ERA label and a new label project called CUBIC records. The labels feature many artists from around the world and showcase the very best new up and coming talents that Tony has discovered on his travels.

    Tony is regularlarly involved in musical collaborations, the main ones being his long standing partnership with ALAN BARRATT as THE PRODUCERS and the other his project with close friend DJ HAL(Roger Watson) as RED MOON.

    Tony Thomas Releases for 2005:

    23rd Century (Carl Cox UK) - Drumatikal ep
    Stupendous (USA) - Feelgood
    Aphrodisio (USA)- Ride Dat Beat
    Aphrodisio (USA)- Promise
    1 Records - Kwazy
    New Era Recordings - Therapy / C U Hear U
    Cubic Records 002 - Growth
    Cubic Records 005 - Acid Expression
    Cubic Records 008 - Where You At
    More Devotion - Drifting Mind
    Tight Records - SoGood
    Frisson - Konga Bonga
    Inversus (USA) - Swinging
    Movim (USA) - Morph


    MOXI 001 - Tribosity,
    MOXI 002 - Bend Your Senses,
    MOXI 003 - Primitive,
    MOXI 004 - Ceremony,
    MOXI 005 - Active Rhythm,
    MOXI 006 - Love Train MOXI 007 - Drums Of The New Era

    The Producers (Alan Barratt & Tony Thomas ):

    Cubic Records - Hard You / Banger
    New Era Recordings - Alchemy / Latingus

    _____________________________________
    support / tech fm section
    T-REV, DJ COMPLEX, GLENN K, DJ IVOR,DARREN M.

    doors open @ 21.oo
    more details forthcoming...
    tech FM.net

    Comment


    • #3
      filterheadz rok

      yes they do..
      jUst plAythAtbEAt

      Comment


      • #4
        cant wait to party with tony thomas again...hes prob the nicest charachter iv met in all this so far.....a production genius IMO as well.
        tech FM.net

        Comment


        • #5
          watch here for a chance to win free passes soon.........
          tech FM.net

          Comment


          • #6
            tech FM.net

            Comment


            • #7
              competition time........

              this will run for about ten days.
              for a chance to get 2 on the guestlist, plus a copy of misstress barbara's cd 'come with me' simply email your name & 'inferno' to
              indicasoundsystem@gmail.com

              after about ten days we'll draw the winner & go again

              good luck!
              tech FM.net

              Comment


              • #8
                TICKETS ON SALE AT TICKETMASTER NOW 22.50 + BOOKING FEE
                tech FM.net

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